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Fxphd Torrent Download
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Emmy Award-winning VFX supervisor has released a covering the new features and workflows of the all-new SpeedTree Cinema 8. Judging solely by the video, it looks like a fantastic course for anyone looking to learn more about using SpeedTree CInema 8 for VFX! From the In the past few years, SpeedTree has become an integral part of the pipeline of most major VFX studios, and mastering it has become an vital skill for environment artists, matte painters and CG generalists. The release of version 8 marks the complete evolution of SpeedTree Cinema as a plant creation software that’s specifically geared toward the VFX industry. We’re excited to have Emmy and VES award-winning VFX supervisor Eran Dinur back to lead our new course at fxphd. It offers all the knowledge and skills required to model and animate detailed, high quality trees and plants for visual effects.
By creating several different tree types, students will become familiar with essential areas like generation modes, curves, variance and leaf meshes, as well as wind and growth animation. Special focus will be given to new features in version 8, like seasonal variations, shape control, lighting, multi-pass rendering, and PBR materials.
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SpeedTree Cinema 8 is available as a short-term or permanent license with solutions for both large studios, hobbyists, and independent VFX artists. Download and evaluation or purchase a license at the SpeedTree Store.
Topics covered include: Advanced concepts in 3d projections: - using the Scanline renderer to create plate and set extensions. - integrating Multipass composites with 3d sets in Nuke. - complex object and wore removal using 3d systems and projections - integrating paint and 3d animation to generate set extensions Creating live action Composites with Nuke: - using panoramic projections to create back-plates for composited elements.
- optimising live plates and 3d for better integration. - colour matching and grain techniques. Understanding complex concepts in film compositing. - colour space management of multiple elements. - optimising your file and proxy setup for working with large files and a whole lot more.
Content Description: Class 1: First steps into using Nuke's UV render mode to create 'splat maps' to project 2D images onto geometry. Using.fbx exports from Maya to sync up the camera move in Nuke for the integration of pre-rendered elements. Dissection and extension of the original image to provide the full texture map for the scene. Class 2: Thorough breakdown of creation of all the elements needed for the shot overviewed in class 1.
Camera Projection and Scanline Render set up for each texture. Tips for texture editing for extending the initial image into a complete texture map. Class 3: Personalization of Nuke by creating custom user menus and tweaking the interface by using Python within the Nuke system files.
Also, how to create, export and then load in your own gizmos as menu items. Class 4: General Nuke work flow overview in use with a background replacement. Discussing bi-cubics on cards for added depth of elements in the scene and correcting lens distortion. Creating the shot's elements with keying and roto, including using non-keyer nodes to produce different mattes. Class 5: Continuing the comp from class 4.
Reorganizing the background elements for aesthetic purposes. Further detail into the use of bi-cubics and the DisplaceGeo node for correction and enhancement. Final tweaks to polish up the composite. Class 6: Dealing with lesser talked about issues, such as color space in compositing applications. How color is interpreted depending on the way the footage is presented (linear, logarithmic, floating point.) Creating your own default Nuke start up template. Class 7: Working with 3D cameras and how to get the most out of importing 3d tracking data. Creating a TCL button within the menu to import Boujou tracks.
Buffer trick to overlay your background onto your 3D point cloud. Using the Reconcile3D node to eliminate the need for tracking nodes. Class 8: Using separate 3D passes embedded into an.exr, like z-depth and motion vector, for use in compositing. Applying depth of field and motion blur in Nuke. Explanation of render layers in Maya.
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It is fully authenticated and work 100% surely. Then we introduce Windows XP Product Key Generator for those users who are worried for the activation of their windows. Sometimes windows keys are not working properly on all versions. You don’t need further to activate it. It remain your windows registered for long time.
SpeedTree Cinema 8 is available as a short-term or permanent license with solutions for both large studios, hobbyists, and independent VFX artists. Download and evaluation or purchase a license at the SpeedTree Store.
Topics covered include: Advanced concepts in 3d projections: - using the Scanline renderer to create plate and set extensions. - integrating Multipass composites with 3d sets in Nuke. - complex object and wore removal using 3d systems and projections - integrating paint and 3d animation to generate set extensions Creating live action Composites with Nuke: - using panoramic projections to create back-plates for composited elements.
- optimising live plates and 3d for better integration. - colour matching and grain techniques. Understanding complex concepts in film compositing. - colour space management of multiple elements. - optimising your file and proxy setup for working with large files and a whole lot more.
Content Description: Class 1: First steps into using Nuke's UV render mode to create 'splat maps' to project 2D images onto geometry. Using.fbx exports from Maya to sync up the camera move in Nuke for the integration of pre-rendered elements. Dissection and extension of the original image to provide the full texture map for the scene. Class 2: Thorough breakdown of creation of all the elements needed for the shot overviewed in class 1.
Camera Projection and Scanline Render set up for each texture. Tips for texture editing for extending the initial image into a complete texture map. Class 3: Personalization of Nuke by creating custom user menus and tweaking the interface by using Python within the Nuke system files.
Also, how to create, export and then load in your own gizmos as menu items. Class 4: General Nuke work flow overview in use with a background replacement. Discussing bi-cubics on cards for added depth of elements in the scene and correcting lens distortion. Creating the shot's elements with keying and roto, including using non-keyer nodes to produce different mattes. Class 5: Continuing the comp from class 4.
Reorganizing the background elements for aesthetic purposes. Further detail into the use of bi-cubics and the DisplaceGeo node for correction and enhancement. Final tweaks to polish up the composite. Class 6: Dealing with lesser talked about issues, such as color space in compositing applications. How color is interpreted depending on the way the footage is presented (linear, logarithmic, floating point.) Creating your own default Nuke start up template. Class 7: Working with 3D cameras and how to get the most out of importing 3d tracking data. Creating a TCL button within the menu to import Boujou tracks.
Buffer trick to overlay your background onto your 3D point cloud. Using the Reconcile3D node to eliminate the need for tracking nodes. Class 8: Using separate 3D passes embedded into an.exr, like z-depth and motion vector, for use in compositing. Applying depth of field and motion blur in Nuke. Explanation of render layers in Maya.
...">Fxphd Torrent Download(16.04.2019)It is fully authenticated and work 100% surely. Then we introduce Windows XP Product Key Generator for those users who are worried for the activation of their windows. Sometimes windows keys are not working properly on all versions. You don’t need further to activate it. It remain your windows registered for long time.
SpeedTree Cinema 8 is available as a short-term or permanent license with solutions for both large studios, hobbyists, and independent VFX artists. Download and evaluation or purchase a license at the SpeedTree Store.
Topics covered include: Advanced concepts in 3d projections: - using the Scanline renderer to create plate and set extensions. - integrating Multipass composites with 3d sets in Nuke. - complex object and wore removal using 3d systems and projections - integrating paint and 3d animation to generate set extensions Creating live action Composites with Nuke: - using panoramic projections to create back-plates for composited elements.
- optimising live plates and 3d for better integration. - colour matching and grain techniques. Understanding complex concepts in film compositing. - colour space management of multiple elements. - optimising your file and proxy setup for working with large files and a whole lot more.
Content Description: Class 1: First steps into using Nuke's UV render mode to create 'splat maps' to project 2D images onto geometry. Using.fbx exports from Maya to sync up the camera move in Nuke for the integration of pre-rendered elements. Dissection and extension of the original image to provide the full texture map for the scene. Class 2: Thorough breakdown of creation of all the elements needed for the shot overviewed in class 1.
Camera Projection and Scanline Render set up for each texture. Tips for texture editing for extending the initial image into a complete texture map. Class 3: Personalization of Nuke by creating custom user menus and tweaking the interface by using Python within the Nuke system files.
Also, how to create, export and then load in your own gizmos as menu items. Class 4: General Nuke work flow overview in use with a background replacement. Discussing bi-cubics on cards for added depth of elements in the scene and correcting lens distortion. Creating the shot's elements with keying and roto, including using non-keyer nodes to produce different mattes. Class 5: Continuing the comp from class 4.
Reorganizing the background elements for aesthetic purposes. Further detail into the use of bi-cubics and the DisplaceGeo node for correction and enhancement. Final tweaks to polish up the composite. Class 6: Dealing with lesser talked about issues, such as color space in compositing applications. How color is interpreted depending on the way the footage is presented (linear, logarithmic, floating point.) Creating your own default Nuke start up template. Class 7: Working with 3D cameras and how to get the most out of importing 3d tracking data. Creating a TCL button within the menu to import Boujou tracks.
Buffer trick to overlay your background onto your 3D point cloud. Using the Reconcile3D node to eliminate the need for tracking nodes. Class 8: Using separate 3D passes embedded into an.exr, like z-depth and motion vector, for use in compositing. Applying depth of field and motion blur in Nuke. Explanation of render layers in Maya.
...">Fxphd Torrent Download(16.04.2019)